Filed under Essays

insomnia


It used to be fun to up and about when everyone is in deep slumber. when i was still a kid, if midnight catches me awake, i’d spend hours reading, or doing just about anything that comes to my mind. imagine how liberating it was: everyone was trapped in their dreams, running after what they could not have, or being chased by demons that they kept in their minds. And me, i was carving my own fantasies, pretending to be an adult too busy to indulge in sleeping.

Work, i suppose, changes everything. sleep has become an evasive commodity. it obsesses you, and you spend the entire night plucking one by one the demons that haunt you. you are bothered by a reprimand, or by a task that seems insurmountable. you think of how old you are already, and how life-lust is abandoning you. you start questioning love, and other things that are less important.

i guess sleeplessness is just other form of cynicism: otherwise, why refuse to dream?

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The thing about storms (what really happened on august 26, 2004)


Waking up in the middle of a storm reminds me of the wonderful chaos of drums. It is as pleasantly confusing as a parade: you don’t know where you are, you feel the noise in your skin, you feel the urge to do everything all at once. You don’t even know if it’s morning already, everything is dark and tentative as dusk or dawn.

If you are lucky, you’d get a phone call telling you that due to bad weather, work has been cancelled. The storm is supposed to force you to stay at home – thus the cancellation of work or class – but then you go berserk and plan your day as if it’s a surprise weekend, a holiday celebrating the death of a hero, or the martyrdom of a saint (or the sainthood of a martyr). What is there to do in a day of ruthless rain? Is it a book of poetry, or plainly the couch, or poetry and the couch? Good food, maybe, or sex? Is it junkfood and tv, or junkfood in the movie house? Sex with a fuck buddy or a stranger? In my couch, or in the movie house?

The rain remains relentless, and your plans are still vague, but then you realize it’s midday already, although everything remains as hazily dim as your plans. You stay in bed, and you let your imagination plan the unfolding of the day for you. When it starts looking like a porn movie, you just doze off to catch the wisp of a dream. Or you just lie in the couch, feeling plain lazy, too lazy, to get up and get things going. You wake up again, and the darkness suddenly seems permanent. You panic a little, but then you begin feeling paralyzed by hunger.

(In the refrigerator, you find: a plastic cup of cottage cheese, a bag of blueberry bagel, bottles of whatever, butter and a rack of other neighborly spreads, and in a large bowl, which occupies a quarter of the available space, you discover a greenish, purplish empire, dusty and primordial; it used to be food, but now it’s a toxic invader spreading as quickly as, pardon the racism, the Chinese civilization. In the vegetable rack, a different universe: everything is literally growing, a rainforest in the making.)

You grab from the ref things that are still surprisingly edible, and you make a mental note to raze the purple and green empire and the rainforest. You eat in the couch while watching tv, and then you switch it off to listen to the news in the radio. A child died today because of the floods, and an old lady was reported missing. The child’s body was found in a creek, and the old lady was later (much, much later) seen inside the mall, looking for love, or beauty, or maybe both.

A black out shuts off the radio and interrupts your eating. With nothing to do, you lie again in the couch. In the darkness, you feel confused: should you start asking how your own life would unravel, or should you pray for the weather to remain just how it is now?

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Singularity

Every night my bed grows wide. Sometimes I’m happy about it, sometimes I feel obliged to map out the loneliness of its geography.

There are nights when it becomes a vast continent of yearning. During such nights, I travel the length of its darkness, discovering along the way imprints of familiar warmth. Its emptiness contains a certain absence, and its terrains echo the curves of the body. There were times when its vastness was governed by borders, the bedsheet partitioned into acres of hatred. My bed was a site of rebellion, a conflict that either ended in cold silence or tears. I could still feel the anger; sometimes the pillows turn their back to say no.

At times it becomes an expanding universe of passion. It bursts with stars, sending electric impulses across the cosmos; the void is filled with what substance I cannot tell. Here, matter and anti-matter meet, implosions and explosions occur at the same time. You thrust and even time lose its momentum: lust is the secret of youth. This universe grows or contracts continuously – no one can absolutely be sure – and in its aftermath, you question God and hope that in every falling star wishes do come true.

There are also nights when my bed becomes an ocean of contentment. This sea placates the tired and the restless; it gives birth to poetry and endless nothingness. I am lulled to sleep by its eternal softness, and I envy the pillows that perpetually rest in its horizons – like whales in meditation – and the bedsheet that accompany its pilgrimage of silence. I’d like to get drowned in its warm waters, be toyed by its playful sunlight, and in my solitude wake up with a smile.

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The Heron Woman*

Once, a poor fisherman saved a wounded bird from dying in winter. The kind fisherman took care of her until her broken wing mended. Throughout the time of healing, the bird came to trust the fisherman’s pure and simple heart. When she could finally move her wings to fly, she decided to
transform herself into a woman. She came back to his hut and offered to stay by his side as his wife. The unsuspecting fisherman was overjoyed by his great fortune, but, being poor, he soon found out having to feed two mouths a problem.

One day the woman offered to weave a cloth that he could sell in the village market. But she made him promise that he would never ever look in on her while she wove. The fisherman gave his word, and after many days, the woman handed him a bolt of fine silk. The cloth fetched a good price; for a while, the fisherman and the woman were happy.

Soon, their food ran out and the woman offered to weave for one last time a cloth he could sell for a very good price. Again, she wove for days and afterwards handed him a second bolt of fine silk. But she had grown pale and thin for the work of weaving had taken so much out of her. He gave her
his word that this was the last bolt of silk she would weave. He went to the castle to sell to the noble household the finest cloth anyone had ever seen. The lord of the castle was pleased and paid him enough money to provide for him and his wife throughout their lives. But on his way home, one of the merchants who had seen the exceptional quality of weaving that if the weaver wove another bolt of cloth, he would help the poor fisherman sell it for a much higher price to the emperor’s household.

The fisherman, dazzled by the idea of having more money than he could imagine, told his wife to weave another bolt of silk fit for the emperor. She was astonished and asked him what he would do with more money than they would ever need in their lifetime. But the fisherman insisted; she could not dissuade him from his obsession. She sadly closed the door of her weaving room and spent many days and nights working on the third bolt of cloth.

As it was taking longer than usual, the fisherman decided to find out what was happening. Forgetting his promise, he opened the door and saw instead of his wife a Great Heron plucking out of her own body her fine feathers that she used for weaving at the loom. It was a horrifying sight and the fisherman fainted from witnessing magic.

When he came to, he heard the Great Heron beside him sing her true story. She sang her sadness at leaving, but because he did not honor his promise and had looked in on her pain, she would now fly back to the wild and be free.

The third bolt of silk was the finest any human or eye had ever touched or seen. It was delicate as snow and stained with flecks of crimson.

*The Heron Woman is an old Japanese tale

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